Since 2005 the Kuenstlerhaus offers an additional option for artists from abroad:
The Artist-in-Residence Program during the exhibition-free summer months.
Duration 2016: 4 to 6 weeks in the period from mid July
combined private living/bedroom, shared kitchen and bathroom
Free work space: private studio
Paid by Kuenstlerhaus Dortmund:
- travel subsidy to and from the Kuenstlerhaus of up to 500 EUR
- per diem of 10 EUR for each day in Dortmund
- up to 500 EUR production/material costs depending on current budgetary situation and upon consultation of our manager and presentation of respective bills
The artists are responsible for their health insurance.
A presentation at the end of the stay is higly appreciated and supported by PR and the print and mailing of invitation cards.
The Kuenstlerhaus team is pleased to assist the guest artist in any organizatorial and practical issues.
Application period is 1 - 31 Oct. (relevant is the postmark)
Application guidelines and form can be found here:
(*1975 in Japan), currently lives and works in France
Junichiro Ishii studied Culture and General Education at the Nippon Designers Vocational School in Fukoka, Japan where he also got his BFA at Kyushu Sangyo University.
Since 2004 he has been travelling extensively and attended a series of artist residencies, a.o. in South Korea, the US, the Czech Republic, Greece and France.
His project for Dortmund focuses on the process of preserving
. Preserving glass jars and bottles as well as everyday junk as a mirror of the society that produces it will play a central role in his artistic research and production activities on site.www.reart.netJunichiro Ishii presents the works he created during his Dortmund stay. Photo: Jens Sunheim
(*1969) from Japan, lives and works in Rotterdam, NL
Kakiuchi studied Textile Design at The Kyoto Seika University (BA
1993), The Nottingham Trent University of Art and Design (MA 2002) and
The Dutch Art Institute (MA 2013).
He works on drawing, sculpture,
installation, video and delegate performace to explore the relationship
between nature itself and the way it is perceived or defined by humans
and to articulate his thesis of Nature as a dead body
In Dortmund, Rei will work on a new project titled Finger Cap
which will explore the question of how human beings perceive the borders between the natural
and the artificial
, and death
by means of sculpture and handicraft as well by performance that will
involve other artists. The title refers to the idea that our fingers are
the extension of our will; capping them works not only as an identity
disguise but a denial of existence itself.Finger Cap, installation, details, Künstlerhaus Dortmund 2015, photos: Jens SundheimCapping a finger is a funny exercise for an experience of living as
double ontology. In between presence and absence, here and there... we
might become zombies.
(Rei Kakiuchi)reikakiuchi.comSimon Le Ruez
(*1970) lives and works in Sheffield, UK and Berlin, DE
Le Ruez has studied at Exeter College of Art, holds a diploma in Fine
Art Sculpture from the City and Guilds of London Art School and an MA
from Winchester School of Art.
His work pivots around both the
physical and the psychological, however the process of making lies at
the core and through a dialogue of little curiosities the viewer is
drawn into the plight of individual lives and a rich layering of
experience expressed through form.
Simon's project Bridging Dortmund
has combined installation, photography, sculpture, and other
media to create a new mapping of the city based on its bridges.
Bridging Dortmund,installation, Künstlerhaus Dortmund 2015, photos: Simon Le Ruez
Chris Bell (*1966) from Australia, lives in California, USA
studied Industrial design followed by his Bachelor of Arts degree in
Sculpture at Sydney College of the Arts, where he graduated in 1992. He
has since exhibited sculpture or installations yearly, mostly with
experimental art organizations. He has received various awards, stipends
and commissions. He currently lives near San Francisco, having recently
completed his MFA with Stanford University. He teaches as adjunct
faculty at Stanford University and San Francisco Art Institute.
left: Sovereign Powers,Trondheim, NO, 2012; right: Sun Swarm, San Francisco, USA, 2013
During his residency stay, Chris wants to investigate into visualising Quantity
He proposes an experimental installation based on a continuously
operating simple counting machine to represent exact figures from
statistics such as national and world populations, juxtaposed with
quantities relevant to our globalized political economics.
> Presentation at the Laboratorium
George Groshkov (*1986) from Sofia, Bulgaria
Residency project: Unborn Fears
The project deals with the subject of fear of the future in young people's minds all over the world. It seems, most young people are in a crisis - financially and emotionally. They are constantly protesting, because they expect the future to be a chain of failures instead of opportunities. The goal ist to locate and describe the deepest fears in order to understand and finally overcome them. (George Groshkov)
video still from Territories
presentation of the video work IN/OUT realised in Dortmund
Tara Nicholson (*1976) from Victoria, BC, Canada
Photography, Installation, Multimedia
Residency project: Retreat - Somewhere Beyond Nowhere
My proposed work for the residency will revolve around the idea of retreat, questioning the desire to escape from modernity and the role of contemporary pilgrimage withing the context of dramatic climatic change. Expanding on my work from the last two years - Somewhere Beyond Nowhere - I will produce a retreat or outpost within the studio / gallery environment. Incorporating photography, sound, video and public presentations I will investigate the greenspaces within the industrial Dortmund area and relate / oppose them to images from Northern Canada. (Tara Nicholson, taranicholson.com)
two pieces from the series Somewhere Beyond Nowhere
presentation of new work realised in Dortmund
Caroline Molusson (* 8.12.76, Bordeaux, F)
Installation, Video, Sculpture
Kuenstlerhaus Dortmund has decided to invite Caroline Molusson from Bordeaux, France as a summer guest 2012. Molusson has convinced the members' jury through her sensible works with which she seeks to disturb the natural order of things in a subtle way. The perturbing consequences this has on our perception habits which in turn may result in alienating our automatims of acting is welcomed by the artist. As one of the questions which with she will be concerned during her stay at Dortmund is: How are we to be touched by art?
opening of the presentation Otherworldly on 03/08/2012, photos: Jens Sundheim
passage à vide, on-site installation, 2012, exhibition views and detail, photos: Caroline Molusson
Otherworldly, video, 2012, photo: Caroline Molusson
Hui Wai Keung (*1973, Hong Kong, CN )
Hui Wai Keung lives and works in Hong Kong, China. He started learning fine art only at the age of 30, and took his first lesson of drawing in 2002. He was then educated in both visual and new media streams. He received his MFA from School of Creative Media, City University of Hong Kong in 2004, and graduated in Fine Art (Sculpture) at Hong Kong Art School.
Excerpt from his artist statement and proposal:
Recently, I am intrigued by the concept and poetic character of “impossibility”. (...) I am looking for failed experiments, wrong theories, rejected proposals, or any ridiculous idea. It could be an idea that proved to be wrong as it violates the laws of nature, but which could be possible on a logical basis. Or it could be a legend which is said to be logically impossible, but has been widely believed to be true.
images: presentation 'Plastron - anther side', 26/08 - 04/09/201
photographs ©: Jens Sundheim
(*1975, Toronto, CA)
Maria Raponi is a Toronto-based artist working in a variety of mediums. Her work explores the relationship between the perceptual and the interpretive, between the immediate experience of the world and the attempt to make sense of it. This relationship is compounded through storytelling. The stories we share, the events we remember, and the locations we create help us to define and relate to our environment. (www.mariaraponi.com
)Presentation re-site, opening on August 06, 2010, with kunstgruppe GOTTLIEB
re-site, presentation views, photographs ©: Jens Sundheim
During her time in Dortmund, Maria Raponi created a series of lightboxes featuring composite photographs of the ceilings of Kuenstlerhaus Dortmund’s exhibition spaces. In this site-specific work, the ceilings, which normally provide the illumination for works on view, become the focal point as the work itself.
While directly tied to the architecture, the images provide a contemplative space for the viewer to occupy. Instead of being one photograph frozen in time, each ceiling is made up of multiple photographs taken over time, allowing for shifts in colour and light as each section was photographed.left:3e - Kuenstlerhaus Dortmund, 64 x 52cm, right: 3a - Kuenstlerhaus Dortmund,60 x 51.8cm, ink-jet transparencies; ©: Maria Raponi
(*1980, Bristol, UK)
By means of objects, drawings and videos Dillan Marsh from Great Britain creates a world that the observer is invited to enter. The works are considered to be components of a larger project and thus never actually finished. Working outside his locality helps him to exchange ideas and widen his horizons.
Dillan Marsh studied Art and Design with an emphasis on photography at York College and received his BA in Fine Art at the University of Bristol. He received an Erasmus Placement for the Hochschule der Kuenste, Berlin and was awarded residency stipends from several institutions in the UK and the US.
In Dortmund the artist has realized his "Book Project" for which he constructed a machine for processing books into raw material that could serve for construction and as a low-cost fuel. Similar processes of recycling and converting have already before been part of his work, yet ecological issues are not his core interest. His subject is the situation of books as an endangered species in a scenario of immanent recession, rising fuel prices and potential climatic catastrophes and their processing in a time where surviving has taken over the need to preserve knowledge and culture.The images show the final presentation in his studio.
(*1983 in Anchorage, USA)Tamara Fleming attended OC High School of the Arts, Santa Ana, California and studied at Santa Reparata International School of the Arts, Florence. In 2005 she graduated with a BFA in Fine Arts at the University of California Los Angeles. Since 2005 she is attending the Akademie der Bildenden Kuenste Wien.
During her stay in Dortmund she continued her work dealing with the intense study, meaningful understanding, re-contextualization and response to found visual aspects in the external world by means of video, photography, sketches, painting and installation.images: presentation at the Kuenstlerhaus
(*1980, Northcote, AUS)Helen Johnson from Northcote, Australia was be our summer guest in June and July 2007. She was born in Melbourne and finished her studies at the RMIT University of Fine Arts, Melbourne in 2002 with a Bachelor of Fine Arts. Her work fields include room specific drawing and painting on paper and wall.
During her stay at the Kuenstlerhaus Dortmund she has realized a work series based on personal, domestic interiors.images: presentation at the Kuenstlerhaus
(*1981, Krakow, PL)The artist from Cracow, Poland was be our residency guest in 2006.
She studied at the art academies in Cracow and Milan; her work fields include staged photography, cartoon, painting and object art.
Her project during her residency:Ernten - Einmachen / Harvesting - Preserving
(*1980, Barcelona, ES)
Conceptional artist from Barcelona, Spain, was selected for the residence 2005 and stayed in Dortmund from July 1 to September 15, 2005.
Her project during her residency:Vorruhestand
/ Early Retirementphoto by Gustel Gawlik
In the past the working period of people frequently lasted until shortly before their death. As a consequence of an increased life expectancy in the modern world, senior citizens have lot more time at their own disposal. In a sense, man have created time for himself. Anna Gonzalez studied this man-created time. During the work process of "Vorruhestand" she got to know the life of senior citizens: In a first part she participated in the summer activities' program of the Wilhelm-Hansmann-Haus; then, in a second part, she became an inhabitant of the seniors' residency.images: presentation at the Kuenstlerhaus